Kateryna Kravchenko
Musical understanding
between cultures
On 20.08.2023 Kateryna performed at the Elbphilharmonie Hamburg, click here for the concert review.
One of Kateryna's current favourite projects is her collaboration with vibraphonist Arthur Clees. Together they performed at the Jazz Juniors Competition 2023 in Krakow, Poland, in October 2023. Here is a live recording.
As a musician, Kateryna Kravchenko has found her language. ‘I've always been ambitious, discovered jazz early on and love playing live,’ says the 25-year-old. Since September 2022, the young musician has been supported by the Grizzly Jazz Foundation as a scholarship holder - a stroke of luck for both sides.
Kateryna Kravchenko's musical beginnings lie in Ukraine, where she was born near Odessa in 1999. Her first experiences on the piano and singing in a choir were still classically influenced. ‘Then I discovered the world of jazz. I got to know Ella Fitzgerald on YouTube and was fascinated by her vocal improvisations.’ At 14, she moved to the city of Odessa, where she studied popular music, played in an ensemble and learned to improvise. ‘There was a lot of culture on offer and I watched and listened to as much as I could. In addition to music, there was also dance, theatre, visual arts and literature. I think it's important not to separate the artistic genres so strictly from each other, you should rather look for the connections.’
However, jazz is not offered at the music academy in Odessa. Classical music is the only true art, according to the prevailing conservative credo. This world eventually became too small for Kateryna Kravchenko, and after four years she transferred to the Carl Maria von Weber Academy of Music in Dresden. She began studying jazz, rock and pop singing and composition there in 2018. As a foreign student, she doesn't have to pay university fees and she had already learnt the basics of the German language in Ukraine, but the start was still not easy. ‘I had no friends, no family, it was a different country with a different language. I was glad that you can often communicate much better with music than with words.’
In Dresden, Kateryna Kravchenko is able to further develop her artistic personality. Her striving for cross-cultural understanding through music becomes an important motif in her work. Together with fellow students, she founds the international Kateryna Kravchenko Quartet. In 2019, the band won the chamber music prize in the jazz category of the university's ensemble competition and released their debut EP ‘Stories’. It combines influences from Slavic folk music, the aesthetics of great jazz singers such as Ella Fitzgerald and Sarah Vaughan, and the harmonic and rhythmic concepts of contemporary jazz. Kravchenko sings in Ukrainian, Polish and English.
Kateryna Kravchenko wants to see the world and gain new experiences. She successfully applies for a place in the German National Jazz Orchestra - from which the Grizzly Jazz Foundation also selects its scholarship holders - and plays there from 2020 to 2022. She spends an exchange year at the Royal College of Music in Stockholm as part of the Erasmus programme. When war breaks out in her home country in February 2022, it feels unreal. ‘The peaceful, picturesque situation on campus and the knowledge of the war don't go together,’ she says and offers help where it is needed. She is committed to helping Ukrainian refugees and supports them with charity concerts. One highlight is her involvement in the ‘United for Ukraine’ concert organised by the Grizzly Foundation, where she performed alongside jazz choreographer Lars Danielsson. ‘As an artist here in Germany, I feel privileged. Who, if not us, can support Ukrainian culture? Culture creates identity, because without it you forget who you are.’
She has been working with Arthur Vincent Clees from Luxembourg since January 2023. He studies composition with vibraphone as a secondary instrument. ‘Singing and vibraphone is an exciting combination. We play standards in a new way and simply try out a lot. Improvisation and composition, that's rhythm with words and music. We use different means, for example from opera, and transform them into jazz. I find the moment of surprise very exciting, in the text or in the performance style, when you go in a different direction than expected.’
In the summer of 2023, Kateryna Kravchenko experienced that she is on the right path for her: she applied for the ‘Betty Carter's Jazz Ahead’ programme, in which 16 musicians from all over the world come together for a fortnight in Washington D.C. ‘You could present yourself as a performer and composer with personal music and arrangements. We made music of today and I learnt that my musical perspective is legitimate.’ The travel plans to the USA were almost cancelled before the start, as the musician had the confirmation and the tickets in her pocket, but not yet a visa. ‘The Grizzly Foundation then helped and wrote emails to the embassy. The visa arrived one day before departure. After the programme, I spent another week in New York, getting inspired. That would not have been possible without the support of the Jazz Foundation. I was also able to buy practical, important things like a good microphone and an effects unit. The foundation then organised a coaching session in Hamburg with Tina Heine, who founded the ELBJAZZ Festival and has a lot of networking experience in the jazz scene. It was about future prospects, which was very important for me. I realised that I don't have to adapt to what is being heard. It's more about remaining as authentic as possible.’
In October 2023, Kateryna Kravchenko and Arthur Clees could win the Grand Prix at the International 47th Jazz Juniors Competition in Krakow. Their debut album is due to be released soon. ‘We are recording the album - the working title is ‘Faces’ - in Berlin with Wanja Slavin as producer. It should be a well-rounded album with a big story told in small pieces. I've chosen poems in English, German and Ukrainian, including ‘Sometimes’ by Hermann Hesse, for example.’ Concerts are planned, including another charity concert for the Ukrainian homeland. Kateryna Kravchenko will also finish her Bachelor's degree at the university with a concert. There are also plans for a Master's degree, ‘but perhaps not yet in 2024’.